Artist Spotlight – Cemetery Gates – Ghostnotes and Grief Thief Records

Gene Priest and Derek Jones are Cemetery Gates.

Within the first few seconds of the song ‘Home is Where You Hang Yrself’ off of the album ‘Ghostnotes’, the slow burn sets in and you can feel your body start to drag through the muck and mud towards the Cemetery Gates.

Cemetery Gates are musicians Gene Priest and Derek Jones hailing from Knoxville, Tennessee. Aside from their love of 70s and 80s horror, they are both accomplished solo musicians that continually deliver heavy synth-laden projects continuously, seeming to never rest. The idea behind their collaborative project is to combine the feel of a horror film score mixed with the vocals and instrumentation of dark electronic pop and it works perfectly.

Ghostnotes is a deliberate, churning, ride filled with haunting melodies that stick with you for days after just one listen. Lyrically, we are dealing with some dark and heavy subject matter. Their words are meant to invoke a strong feeling and may open the door to a dark place in your heart. While still sounding very much like the darkest version of pop music available the feelings that Ghostnotes brought upon me felt almost pardoxical, I felt hopeful dread, ecstatic sadness, and thought-provoking nothingness. To feel so extreme, I knew that ‘Ghostnotes’ was something special.

From a production standpoint, the album is mastered and crafted perfectly featuring booming live drums and the heaviest of heavy synth lines, that chug and churn, guiding you through the basement of every tune. I’d recommend listening with headphones to really hear every deliberate note that is delivered. Ghostnotes is available for streaming on all the major sites and on Bandcamp.

One thing that Cemetery Gates are doing that I am very excited about is they are now offering a subscription service through their Bandcamp and their record label Grief Thief Records. For the low price of $25 per year you get unlimited streaming of everything they put out. This is a very intriguing service and you don’t see a lot of musicians using this format. The amount of music they are offering is huge and varied. They deliver new music monthly including rescored original horror soundtracks, bonus tracks for subscribers only, a fan community, and their entire back catalog. A truly great deal considering you get a years access for the cost of maybe 3 albums. For more information about their subscription service, head over to their bandcamp page linked below.

Grief Thief Records presents: Subscription Service

Gene makes music under the solo moniker Skeleton Beach. Derek performs under the name Circadian Rhythm Section. On top of the fantastic ‘Ghostnotes’ both musicians have amazing solo albums out as well. Click their names to check out their Instagram pages.

Relevant Links

False Visions – shelfblack – synthesizer jam featuring the Korg Monologue and EHX Grand Canyon

This is a jam I put together with my usual suspects of gear. I started by building a solid drum groove with the Arturia Drumbrute Impact. I wanted a warbly and disconnected type lead coming from the Monologue. So i went with a simple 16 step lead that was sequenced using the real time recording feature. In order to add that disjointed and unstable sound to the lead, I’m running it through the EHX Grand Canyon Pedal.

The Grand Canyon is one of my favorite pedals to use with any and all synth gear. It’s a reverb and delay pedal that offers up to 3 seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. On False Visions, I’m using the ‘Tape’ setting on the EHX which is a simulated tape delay sound that is fully customizable and one of my favorite settings.

Stay tuned for a future gear demo of the EHX Grand Canyon and I’ll show you some pretty cool things you can do with it with synthesizers and drum machines.

Welcome To Space Lounge Volume II cassette – shelfblack – Andromeda’s Brain

60 second teaser of the new song available only on Welcome To Space Lounge Volume II cassette

Here’s the link for the Welcome To Space Lounge store!

If you aren’t familiar with Welcome To Space Lounge on Instagram you are definitely missing out on one of the best collections of talented artists making music on the Internet. They use the tag line “Keep your head in the clouds” and when you hear the atmosphere and layers that these artists create, it’s incredibly easy to feel yourself start floating up, up, and away. There is no denying that Welcome To Space Lounge is an absolute juggernaut of Instagram.

When I first started making music on Instagram, I couldn’t help but see that most of my favorite accounts were constantly tagging Space Lounge in their posts. Naturally, I combed through their posts and was blown away by jams that populated the submissions. I made it a goal of mine to try and be featured on their account.

It actually helped me branch out and change the way I made some of my songs. I started experimenting with lower BPM’s. It absolutely pushed me to take some steps and leaps into sounds and vibes that I had never created before. It made me experiment with drumless tracks and even pushed me to try and make some ambient jams. It took a lot of submissions and a lot of experimentation but eventually I was featured on the page. I couldn’t believe it. It was, at that time, a huge goal achieved for me. After that, I began to converse more with the Space Lounge founder and learned that his passion and excitement for music was beyond inspiring.

A few months after I was first featured, I was approached by Space Lounge and extended an invitation to provide a song for their second cassette release entitled “Welcome To Space Lounge Volume II” I was beyond excited and immediately accepted the invite . This is definitely a dream come true and I couldn’t be happier with my submission entitled “Andromeda’s Brain” The cassette will be released for sale on Monday 11/11/2019. You will be able to order it from their official website and I will update this article with the link once it goes live.

These cassette releases are extremely limited and usually are only offered in one shot. If you are interested in getting one, I suggest trying to buy it the second it goes live. Otherwise, it may be out of touch and float slowly away from your grasp, into the atmosphere and beyond.

Welcome to Space Lounge

One Last Breath – shelfblack – Electronic DAWless synth jam with a Korg Monologue

One Last Breath – full electronic music synthesizer jam featuring the Korg Monologue, Behringer Deepmind, and the Drumbrute Impact

This is a bit more on the experimental side for me. I wanted a very guttural and intense main line. I looked no further than my workhorse synth, the Korg Monologue. I tweaked and manipulated the Korg line to make the synth sound like it was fighting and screaming and clawing it’s way through the track. The rest of the track features the usual suspects, the Behringer Deepmind, the Arturia Drumbrute Impact. I also used the Korg Kaosspad 3 for some of the scratchy sounding effects on the Monologue.

As always, to see and hear more original music just check out my YouTube page and subscribe. I upload a few songs per week. If you’re reading this and you are putting together a compilation album and you’d like a shelfblack track exclusively, just reach out!

I’ll do a demo video of the Korg Kaosspad 3 in the coming weeks.

shelfblack – dawless synth jam Can’t We Just Disappear?

Can’t We Just Disappear? – dawless synth jam created using the Korg Monologue, Korg Volca FM, Korg volca keys, Korg monotron delay, Arturia Beatstep pro, Drumbrute Impact, Microfreak.

This is a new all hardware dawless jam. I started this by experimenting with the Zoom Microtrak drum loop that you hear . I slowed it down to 70 bpm and started layering the Deepmind and Microfreak. I also added in a non confrontational rhythm backing with the Korg Monologue. From there I just let different parts ride and subtracted other parts allowing myself to get lost in the song. I believe the woozy, dreamy Microfreak part makes me feel like disappearing into the world that this music creates.

If you enjoyed this jam, feel free to subscribe on youtube and continue to check this site for more updates as I create more songs and review more gear!


shelfblack – dawless hardware synth jam – Just Burn It All

Korg Monologue, Arturia Drumbrute, Microfreak, Behringer Deepmind, Korg Volca Sample, Beats, Keys, Oceans 11 reverb, Grand Canyon reverb, Beatstep pro, Korg monotron

This is a jam I put together starting with a slowed down 40 bpm minimal beat on the Arturia Drumbrute Impact. From there I layered in the Deepmind 6 with a weird, plonky key sequence, and some shimmery pad sounds from the Korg Volca FM. I also used a preset from the Microfreak to offset the Deepmind sequence and kicked it into overdrive with a blistering fireball bass line from the Korg Monologue. I made a 60 second version on Instagram and I have embedded the full version here from Youtube.

Lots of stuff going on this month. Fresh update from the Electronic Curiosity Collective Spotify Playlist . We will also be announcing the next monthly challenge on the Electronic Curiosity IG account. Thanks for tuning in! Make sure to subscribe on YouTube for more weekly content and original synth songs.


Black Zinda – Feature Length Self Titled Album Streaming Now!

Black Zinda – self-titled album streaming everywhere streams are streamed.

It’s always been my dream to be in a band. When I was in high school I would day dream about it. I tried and failed to learn a number of instruments throughout my life and never quite had the focus or ability to create music along with other people.

Sometime in late 2018, right around the time I released my second album, Happy Robot Dreams, one of the songs I pushed the hardest was called Invader X. It’s a fast paced, video game-esque ride punctuated with a crazy 16-step synth line. One of my Instagram friends who went by the name Stephen Zinda messaged me that he liked the song a lot and he wanted to use it to work on a collaboration track and add lyrics to it. I was extremely excited about the opportunity to work with a real musician and I was already a huge fan of Stephen after checking out a few of his indie/rock flavored songs he had put out.

A few weeks later, Palm Trees was delivered. I was absolutely floored with what Stephen was able to do with it. He had taken a song I loved a lot as my own creation and added his own lyrics, spin, slowed it down, and made it into something I couldn’t believe. Immediately, we decided to work on more tracks and focus on releasing an EP.

Right away, I started working on tracks to send him. I knew I wasn’t working to deliver an EP. My goal was to send him so much stuff there would be no choice but for us to turn it into a whole album. I never told him of this plan and as you can tell by the release of this album, it worked perfectly!

So here it is. Our debut self titled album. It’s available on Spotify, iTunes, Google Play, Amazon, Deezer, iHeartRadio, and more. I hope you enjoy it. I’m happy to be a part of this band, thanks for making a childhood dream come true, Stephen. Now let’s get to work on the next one!


Kryptic Species – Full Jam

Kryptic Species

New jam is up and I named it after the creator of that very awesome little modded tape deck that I used for the drum track. I bought the tape deck from @krypticspeciesmutations. He creates and/or mods a lot of unconventional items and he has caught my eye on more than one occassion . Check him out on Instagram for a complete listing of stuff he currently has available.

The drum track was created by recording a 4 minute loop of a drum track from the Zoom MRT-3B drum machine into my computer and then recorded it onto a blank pink cassette. This particular tape deck has been modded with a knob that controls the playback speed. I’m running the drum loop back at a slightly lower speed. At the end of the track you can see me messing with the playback speed.

Stay tuned as I’ll probably do a gear demo video of that tape deck on YouTube in the next coming days.

Black Zinda – album teaser – Digital release on 10/31/19

Black Zinda album teaser from YouTube – Album will hit all streaming sites on 10/31/2019

Here’s a teaser for the Black Zinda album that shelfblack has put together. It is a super cut of all 9 songs played in succession. The album is available for streaming on all major sites and is available for purchase on our Bandcamp.

Black Zinda – Coming 10/31 to Spotify, iTunes and all other streaming services!

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Black Zinda hitting all streaming sites on 10/31!

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A few months ago I collaborated with an amazing musician on Instagram by the name of Stephen Zinda. Stephen is a multi-instrumentalist, genre-hopping mastermind. He is one of the first people that I connected with on Instagram. He’s released 3 excellent albums on Spotify (Brains, King Pig, and Meat Freak.) I started chatting with Stephen early on and what really captured me about his music was his guitar playing and songwriting. He’s got that booming voice that really captures you’re attention.

Eventually, we collaborated on one song called Palm Trees. Here’s the link to the original version of Spotify. This song is included on our full release but it has been re-worked and is way more badass and epic in it’s final form.

The first Black Zinda song we created.

The goal for us originally was to create an EP. I ended up sending about 30 tracks to Stephen in my signature style, all full versions of jams in the 3 – 5 minute range. I did this over the course of a few weeks. Stephen was able to take the tracks and manipulate and flip them in ways I never imagined could be done. In the end we ended up with 9 tracks and released them on CD and Cassette on October 1st. Now at the end of the month we will be releasing our album digitally on all streaming platforms on October 31! We can’t wait for more people to hear what we have created.

Big shoutout to everyone who supported us by purchasing a CD or Cassette! You’ve helped fund the Black Zinda movement and we are currently entertaining an offer of perhaps releasing on vinyl. Anybody interested?